Staring into Space

I've been staring into space
It's dark out there
I see things
Swimming in the murky depths
Thoughts melting into fears
The future clawing its way up
Out of the past's long-dead grave
The same old stories
With the same old endings
And it's all still as scary
I've been staring into space
Seeing if I can spot myself
A happy me in a happy morrow
It's dark out there
Maybe it's night there
But then the shadows I see in the depths
Do not comfort, do not ease my worry
I've been staring into space
The moon's bright as ever
Its dark side is still the darkest
It's still scarred all over
Beyond its numbing light
Things do swim in the dark
They might be quiet, but I see them
Beyond the moonlight, in my morrow
I've been staring into space
I've been thinking too much
It's all coming together
It's all falling apart
It's dark out there
What remains does swim by
Dismembered, tentacled
It does not comfort
It does not ease my worry
And still, I stare into space
I can't help but stare into space

30... 31...

One year, and so much has changed. I hit 30 with a sense of panic and desperation. With most important life's goals unattained, (I just typed gaol instead of goal... wow, talk about Freudian slips!) I was at that juncture where the mortality of life hits you and you realize that you might never get to live the life you always wanted. My book was still unpublished--a much-edited manuscript collecting digital dust and self-doubt. I was still in a full-time job and was still working late nights and weekends, spending what free time I could get catching up on my sleep backlog. My relationships with various significant others were all beginning to suffer the neglect I was inflicting on them.

The imaginary nervous imp representing my life expectancy gulps as it examines the statistics: I smoke, I drink, I'm overweight (thanks to my love of food in general and red meat in particular), my work, life and relationships are wrought with stress, and I have a genetic legacy that's pure murder (two granddads lost to heart attacks before they hit the big five-oh, and one grandmom lost to cancer before I grew up enough to remember her face; the other grandmom died a slow, agonizing death and just passed away at 90-something... I'm not sure what I prefer any more) I might have a few years left, but that's more luck than anything else. Not much time left to do much in, and given how much is left (EVERYTHING), not much hope for getting much done either!

Perspective is the great purifier. One thing can change, and everything can look so very different!

I hit 31. My book is still unpublished, but I have an incredible literary agent who was kind of enough to sign me on, and is cheerfully optimistic that we'll soon taste success. Based on that one event, I took my life and turned it around. I quit my full-time job for a consulting role, just so I would have more time to write. I took some risks and created opportunities that would get me closer to my agent, the publishers, and a writing career. The divorce came to a (relatively) painless end (unrelated, but fortuitous). The relationships are better, overall; ambient de-stressing, I guess. The imp is no less nervous as the statistics still seem ominous, though I've started toning down the excesses in some, if not most, departments. The genetic legacy I can't change. When grandparents gang up on you, there's little you can do. The rest of my unattained wishlist still deals with status quo, but the items on it glow with hope, beaming up at #1 who's slowly coming to life.

I might still kick the bucket in a few years, but now I can joke about the projected Mayan end of the world (that's one joke with an expiry date). I'm going to die a published author (or at least an author with recognized potential), and that's better than dying with a neglected manuscript no one knew about. Alternately, I might live the whole big life (marriage, bestsellers, world travel, kids, cynicism v2.0, arthritis etc.) and might die a slow, agonizing death at 90-something. I don't know that I want to lose my senses, motor skills and bowel control before I go. But then, such is life. You never know what the end's like and you can't really flip the pages to find out (point is, if you could, would you?)

Am I happy? On some days, yes. Does 31 feel better? With the new perspective glasses, yes. Is 32 going to be even better? I hope so; better is always good (is that an oxymoron?) Is this what's called growing up or can I just not deal with failure? I don't know. Am I overthinking this? Probably. Should I stop? Yes.

Think Write

To die will be an awfully big adventure

Fly away, Wendy bird, fly away  

How terrible it is, to be bound in this way

Our choices and our perception define us, limit us

No, I do not agree

I can make it possible, anything possible

What about… No, we’re not going there

God, my head’s such a mess

I was simple enough when I was born

Then, life happened

Halfway through and so much left to do

I have to build a totem pole

The sheer joy of working with your hands

Wet mud, wood shavings, paper

Writing… always writing

Trying to find ways to keep the flame alive

Nothing else matters, nothing else will stop me

You can get used to just about anything

But does it make sense to live this way

When the next big adventure is death

The Want Rant

From the first outraged wail you emit as a filthy, wrinkled baby to that last whispered sigh of ‘if only’ as you feebly kick the bucket, it’s all about what you want. You’re a relentless need-machine that needs to be fed, clothed, sheltered, coddled, reassured, and admired. A need goes wanting, and you turn into a miserable, insecure crib-fest. You make others around you even more miserable and you throw a tantrum a mile-wide that is like a vicious net, cast wide to capture anything thrown your way to appease your hungering need. It satisfies your ravenous being for a while, and then you start all over again.

You are wrecking feelings, lives, just by unleashing the expectation of your wanton desires on everyone and everything that crosses your path. You don’t care what others want. Oh, you pretend to. You take perfunctory note of another’s odd, convenient wish and make it happen. Then you sit back and wait for the appreciation and the gratitude. It’s all about gratuitous payoff; and if it isn’t instant, we have another tantrum coming right up. 

What is this trail of destructive self-indulgence that you leave behind? Why do you need company when alone and solitude when surrounded by people? Why do you crave what you don’t have and demean what is yours for the taking? Why can you not just accept what is and build on it? Why can’t you just be, damn it!

But no, you want what you want. You’re not going to let it go. If you can fulfil that void within you by yourself, then you will. If it needs to be done at another’s cost, then you will do that too. If not, you will reduce yourself to a blabbering, pathetic beggar looking for sympathetic alms and will not let up till you have what you need. You machinating, sanctimonious excuse for a human being! You will continue to cannibalize your life and those ill-fated enough to be caught in your selfish kamikaze dive till you’re sated.

With these final, damning words, I look away. I’m done with my conversation with my reflection for today. Tomorrow, it will be something else. I just hope it’s a tad more pleasant. 

Writing in Character

I think the toughest thing a writer needs to do is to write as another person. It is a well-known fact that most writers trying out a first-person narrative for the first time always stumble into an autobiographical character. Always. It is the easiest thing to do, and not having to worry about the character’s tone, conviction, or consistency leaves the field wide open to concentrate on other stuff like plots and tale twists.

But then, if you’re a self-respecting writer with pretensions, or a successful one who has to write a second book with a different voice, or both, you’re stuck! Because you come upon that dreadfully unempathetic exercise of writing a narrative that belongs to a completely fictitious character. Most writers descend to more desperate tricks now. Their better halves, alter egos, close friends and family, all become foils that this narrating character wears. In these familiar shadows, the writer plunges his character’s tale, hoping that his view of his significant others is deep enough to make for a consistent character.

So far, so good. But there are only so many significant others. And so many more tales. And some tales need some really twisted characters to narrate, the type who wouldn’t feature in a self-respecting author’s friends-and-family calling group. Not unless said character had come to life, clawing his way up through a metaphorical grave to become rotting-flesh-and-trailing-blood, come to this world to wreak his revenge on an uncaring author. No wait. That idea has already been done. And we’re not talking about that kind of stuff here anyway. So, where was I? Twisted characters, yes!

So you need this borderline psychotic character, with an anticipatory insanity plea if you ever saw one, working his way (or her way, if that’s your kink) through an ever-deteriorating perspective, downward spiraling all the way to unnamable acts of despicable horror. Which friend or family member are you going to base this one on? Right!

This is where the writer enters the true unknown. Complete creation. Become someone and speak as him (or her, yes, I haven’t forgotten you). Live a life as you figure out how your character would feel in so-and-so circumstances and how your character would react. Making that difficult choice between a gas-powered chainsaw or a double-edged axe. What does your character really feel like hefting while giving way to all that incredibly raw angst?

Tough call. That’s what separates the big boys from the little ones, the contenders from the pretenders, the writers from the wannabes. Live your characters through in your head and you will tell a tale worthy of them. Or you might as well give your unfortunate psychotic a letter opener. A plastic one. With a lace-decorated handle. She wouldn’t be able to handle anything else. (Or he wouldn’t, sure! Everyone has an opinion!)

Cogito Ergo Finito

On Whimsy

It has been a while since I’ve succumbed to the seductive call of my oldest and most faithful mistress. She calls every once in a while, as persistent as a wooing adolescent with cratered cheeks and the eternal-hope springing breast. She has much more grace though, and her technique is more akin to that of an erudite and accomplished Madame. Her whispered words used to send a hot flush up my cheeks. She paints images no decent man should ever see. She used to croon to me, teasing me, taunting me. She still does, the words always the same.

Do you have it in you, love, to take the plunge all over again into the intoxicating waters of whimsy?

Memories come back. Memories of deliciously irresponsible escapes from the ennui of everyday eventuality. Memories of breathlessly reckless acts that derailed the careful plans of years and their predictable tomorrows. Memories of her, always whispering, always leading me on a merry chase away from everything else, away from everyone else.

Whimsy. She always comes back. It doesn’t matter where I am, what I do, or how settled in my groove (rut!) I am. She always has a spiel, and it is always intoxicatingly intriguing and attractive. She does not try to reason, though. Never! She advocates against it! She does not promise happy tomorrows for everafter or even a moment’s gratification that is somehow worth a lifetime. There is nothing guaranteed but the act of indulging in her, in Whimsy. Everything that follows is delightful chaos.

The clock ticks and as grey flecks my hair and crows sinks their claws around my eyes, her trips become more poignant. It is more difficult now to just give in. it is more difficult now to turn her away. As my age nears her immortal appearance, our relationship matures. Her words are the same, but they make me smile now and not blush. Her tricks are still clever and completely unanticipated. But they make me applaud at the illusion; I’m a spectator, not a victim. I’m an outsider, not one of her lovers anymore. And still, when she leans forward, her wanton perfume filling me up with the lust to live outside the boundaries of what is acceptable and right, when she brushes those lips against my reluctant ears and whispers…

Do you have it in you, love, to take the plunge all over again into the intoxicating waters of whimsy?

I wonder. I can’t help but wonder.

Cogito Ergo Finito

Poetic License Revoked

Many a time I’ve found myself at a complete loss

With a piece of prose labeled delectable and divine

Critics ooh and aah even as the writer weaves up a mystery

In a piece that is neither a whodunit nor a what’s-the-corpse-wearing

Nay, the convolutedness of the prose goes deeper than that

Its devious machinations are a plot unto themselves

The goal of its damning complexity seems merely to perplex

And belittle the reader perspiring his way to sophistication

Every twisted metaphor contrives meanings profound and obscure

Or it might not be a metaphor even, just delusions of authorship all along

A roaring lion in pink pyjamas set the fondue on fire on a nocturnal jaunt

See what I just did?

With a bit more finesse and bare-faced pretension

I could have passed that piece of twaddle as literature

Just like I toss aside meter and rhythm

And call this assortment of rambling raving rants

Poetry

Cogito Ergo Finito